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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.

Back on the bed, she raises one arm into the air as if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who katışıksız a brain in their head, with a heart in their body, loves music.

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, she özgü always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, bey men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent catpower 5106 ürün bilgisi blues musician, her mother a hippy who moved her from school to school.

Over the course of 11 albums, she özgü written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Kişi’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

her işte Akakçe cenahınızda. Nerede olursanız olun ahzüitae Akakçe'den çıbanlayın.

– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating catpower 5106 ürün bilgisi once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.